I'm not sure what section of the forum is best to post this, this section or "Projectors and Screens," but I already have one topic on the front page in that section so I will try here. But if it's OK to have two in the same section at once then probably it would be better over there. Here is the section.
I am double-stacking projectors for passive 3D using a geobox etc. I want them to be much brighter. Their lenses are to be 18 feet from a 135 "(diagonal) 16: 9 screen. Seating will be 15 feet from the screen. Questions:
1. How high gain screen can I go, at this throw and seating distance, without hotspotting becoming noticeable?
Whatever the answer to that queston, which I am guessing is around 2 - 2.5 gain maybe 3 maximum, I am looking for ways to go higher if possible. 4 gain. 5 gain. This will create hospotting for sure on a flat screen, which brings me to questions 2 through 5.
2. Can curved screens be used with double-stacked projectors? There is curved screen made Germany that uses micro lenses in the screen material, that I have heard is excellent, called couchscreen. It don't think it comes in 135" 16:9 size anyway, but I was told even if it did, it would not work in this situation because it would cause homogeneity issues with double-stacked projectors. However, is this true for all curved gain screens, or only ones that use micro-lenses?
Maybe he meant with one projector stacked on top of another, the vertical angle is slightly different to the screen, so the high gain would make one appear brighter than another in the same spot from the same viewing angle. But shouldnt that be less of an issue with curved high gain screens than flat ones? So he must have meant something else.
3. If it's a problem with all curved high gain screens, not only ones with microlenses, then the only other way is to use an optical prism that combines the light of both projectors and projects them out from the same spot. Does anyone know where to find such a prism, and what it looks like, and how it works?
4. I have heard those prisms can reduce the contrast of the image. Does anyone know approximately how much contrast is lost? Are we talking 20% loss of on/off contrast and ANSI contrast, or 80% loss? Depending how bad it is, it could be or could not be an option.
5. To do passive 3D with double-stacked projectors, it requires different 3D filters placed in front of the lens of each projector to create stereoscopic separation for the viewer's right and left eyes. If you put the optical prism after each respective 3D filter and combine the light to the same point, will it maintain its distinct filtration? I assume it would with color bandpass filters, which is what I want to use, but Im not 100% sure. With polarization filters I have no idea, but it seems more dicey.
Thanks a lot for the help. This is only my fourth post since joining the forum so, you know, I wanted to start off with something simple and easy for everyone ...: D